So that's why Bhabha sees mimicry as a potential form of political resistance. So what's the big deal about all this mimicry stuff? As a postcolonial writer Bhabha tries to deal with the in-between categories of cultural differences across race, class, gender and, cultural In " . Robert J. C. Young has played an important role in making Bhabha's postcolonial theory wide-ly recognized in Euro-American academia. The theory of Homi K. Bhabha is based on the existence of such space where cultural borders open up to each other, and creation of a new hybrid culture that combines their features and atones their differences. Homi K Bhabha’s monumental The Location of Culture (Routledge, 1994) had an immediate impact on conceptions of culture and globalization, comparable in scope only to the work of Gayatri Spivak, Francis Fukuyama, and Tiger Woods. Homi Bhabha theorizes the Third Space of confusion and paradox, or liminality, within the context of (post)colonialism. Mimicry in Postcolonial Theory By Nasrullah Mambrol on April 10, 2016 • ( 3) An increasingly important term in post-colonial theory, because it has come to describe the ambivalent relationship between colonizer and colonized. in postcolonial studies cannot be explained away as just a trendy thing. As will be shown later in this paper, Bhabha achieves this feat by developing a postcolonial theory that draws This passage and the pages around it lay the foundation for Bhabha's theory of the hybrid subject: that person who can imitate the colonizer but in a way that can disrupt the colonizer's power rather than reinforce it. Homi K. Bhabha. New York: Routledge, 1994.S55.00 he; np. Chinua Achebe has written that This study led to the development of the colonialist discourse theory in the work of critics such as Gayatri Chakravorty Spivak and Homi Bhabha. Bhabha draws the concept of mimicry from Lacan and uses it into the relationship of the colonialism. Homi Bhabha. The fact that Bhabha’s hybridity has come to have such vast applicability can be seen, in part, as fulfilling an urgent theoretical need. Postcolonial Studies emerged as an academic field in the wake of the publication of Edward W. Said’s ground-breaking book, Orientalism. The Third Space is a postcolonial sociolinguistic theory of identity and community realized through language or education. Although Bhabha is critical of the oversimplification of the binaries of East and West and colonizer and colonized in Said’s early work (as both “poles” are hybrid and implicated in each other), their locus of enunciation and intellectual positions can be considered similar as both examine processes that divide, categorize, and dominate the world. View Homi Bhabha (Cultural Theory) Research Papers on Academia.edu for free. Research Fields: Bhabha is the author of numerous works exploring colonial and postcolonial theory, cultural change and power, and cosmopolitanism, among other themes. The term “postcolonial” per se was first used in literary studies by The Empire Writes Back in 1989 to refer to cultural interactions within colonial societies. Bhabha explores and defines postcolonial theory, its roots, development, major critics, principles, issues, covering area and different forms. As this article presents itself as a contribution to the study of postcolonial theory and the law, it will focus on contemporary developments The aim of this task is to explore the meaning of mimicry with relation to the study of postcolonial criticism and theory in Homi K. Bhabha’s interpretation in his book “The Location of Culture”.