25-26). 18, p. 67), The collaboration between ILM and the art department at Paramount was not an easy one, with the responsibilities of each team occasionally being unclear, such as who should deal with depicting the Vulcan landing area for the film's Klingon Bird-of-Prey. Vulcan was also referenced once in a scene description from the final draft script of ENT: "United", remarking that no-one on the planet would believe that a particular moment involving a handshake between an Andorian and a Tellarite was even possible. Wednesday invites him to join them in Wisconsin but asks him to forge a sword for him first. 3089)Independent (c. 3089–) (TOS: "The Squire of Gothos"), Red trees and green plants in a rainstorm, Vulcan's earliest contacts with alien beings did not become legends, like in Earth's history. This miniature was two foot deep by six foot wide and consisted of two-by-two-foot modules bolted together. (DIS: "Unification III"), In 3189, after assisting the Federation in a skirmish with the Emerald Chain warship Viridian and a commandeered USS Discovery, Ni'Var was considering rejoining the Federation. The script also states that some flowers were imported to Vulcan from other planets, instructs that dust demons were to have been shown, and comments, "While Vulcan is an old planet, its thin atmosphere keeps erosion to a minimum. By the time the production crew filmed in this area, the location filming in Yellowstone had been completed; the art department were initially faced with the task of somehow recreating that setting on the studio lot. The purpose of this ritual was to prevent the fire from consuming humans by “feeding” it beasts beforehand. [3] The remastered edition of "Amok Time" replaced this oft-reused globe with computer-generated shots of Vulcan. Thalia Grace is a Greek demigod, the daughter of Zeus and the mortal Beryl Grace, and the older sister of deceased Roman demigod Jason Grace. Affiliation: Charles Correll explained, "In order to accommodate the ILM plates and opticals, it required a tremendous amount of exposure. First Appearance Vulcan still benefits from a certain popularity in modern days. The Enterprise traveled back in time to Vulcan's violent past, obtained the psychic generator from a secret compound near the planet's southern pole and returned to Vulcan's present, moments before an all-out war was initiated between Starfleet and the Vulcans, in orbit of the planet. Star Trek: The Official Starships Collection, The Making of Star Trek: The Motion Picture, Lost Voyages of Trek and The Next Generation, Star Trek: The Motion Picture (The Director's Edition), Star Trek III: The Search for Spock (Special Edition), Trek: The Unauthorized Story of the Movies, Star Trek III: The Search for Spock (Blu-ray), Star Trek III: The Search for Spock - Handbook of Production Information, Star Trek IV: The Voyage Home (Special Edition), Captain's Log: William Shatner's Personal Account of the Making of Star Trek V: The Final Frontier, Star Trek: Voyager - A Vision of the Future, Captains' Logs Supplemental - The Unauthorized Guide to the New Trek Voyages, https://memory-alpha.fandom.com/wiki/Ni%27Var?oldid=2712755. (PIC: "Maps and Legends"), The USS Enterprise enters orbit around Vulcan in 2267, Vulcan had a considerably thinner atmosphere, and higher temperature than Earth. [5], During the months of pre-production on The Motion Picture, director Robert Wise and production illustrator Maurice Zuberano – interested in finding a location to represent Vulcan – searched through numerous books depicting distant natural wonders and/or ruins, at sites such as Afghanistan, Tibet, and Turkey. (TOS: "Amok Time"; ENT: "Strange New World"; Star Trek) Aurorae sometimes appeared over the planet. Chlorophyte Bullets are homing bullets which are capable of turning sharply in midair and even curve instantly around to hit enemies behind the player. New Larousse Encyclopedia of Mythology, by Félix Guirand. Vulcan pours a drink for himself and Wednesday, outright denying Shadow anything to drink. (TOS: "The Naked Time", "This Side of Paradise", "Journey to Babel", et al. He originally was one of the oldest Latin gods. Rocks around the edges give a half-natural, half-artifact aspect, as if the wind or rain had curved something like a Stonehenge, or reduced a Stonehenge to something like this. (The Making of Star Trek: The Motion Picture, p. 133) Fletcher based the Vulcan clothing in Star Trek III on a similar concept related to the planet. [14]. The book was released on October 7th, 2014. Vulcan was a Roman God of fire, forge, metalworking, and volcanoes. ), Foundation Imaging, under Robert Wise's supervision, revised the two matte paintings for the director's edition DVD of The Motion Picture. Here we present the latest products, new guitars, new basses and drums, as well as a wide range of hot new music production and studio recording gear. "We wanted the planet to look like it was always sunrise," he stated. Biographical information (The Art of Star Trek, pp. Type It was in the 1975 fanzine Warp Speed 8 (in the Landing Party Six Writer's Guide) that Gordon Carleton first proposed the existence of Vulcan's sister planet. ("Amok Time" text commentary, TOS Season 1 DVD) D.C. Fontana, who contributed to the writing of "Amok Time", remembered, "We realized we couldn't show a lot of Vulcan; one of the stipulations for the script was that it be in a relatively tight area, so that we just get a flavor, a feeling." (audio commentary, Star Trek: The Motion Picture (The Director's Edition)) The pan down from the sky also involved the sky's color brightening from the black of open space to the orange of the Vulcan sky as seen from the surface. People had forgotten that Vulcan was an alien world," Garfield Reeves-Stevens explained. Bruises and dermal abrasions took on … To start, simply click on the button to generate 10 random names. After the Babel Crisis, Vulcan became a founding member of the Coalition of Planets before co-founding the Federation in 2161. The sister planet, or another celestial body like it, is also seen from space in "Unification III". Making Vulcan an alien environment was important to the Reeves-Stevenses. Vulcan was also mentioned in a deleted scene from ENT Season 3 offering "Chosen Realm", in which T'Pol told Pri'Nam D'Jamat and two other Triannons about the planet's violent past. Vulcan in and of itself should be interesting without cluttering the sky. This planet was located in Federation space. 36 & 37), Statues that appear on Vulcan in the first shot from the teaser of "The Forge" were based on computer-generated views of Vulcan in the director's edition of Star Trek: The Motion Picture and the episode "Home". 17, No. (The Making of Star Trek: The Motion Picture, p. 165) Although the filmmakers had at their disposal a large backdrop that was painted like the sky, they decided not to use it for the Vulcan scene. Combine speed, durability and firepower with this ROCCAT Vulcan mechanical keyboard. According to Michael Okuda in the book Ships of the Line (p. 22), the planet was devastated during the Time of the Awakening. 2, p. 81) corroborated Sussman's account. "Any story on Vulcan that came up on the original show faced two problems," she rationalized. (Cinefantastique, Vol. Despite specifying that Vulcan had multiple suns, the book makes no reference to any moons or additional planets in the Vulcan system. (Star Trek: The Magazine Volume 2, Issue 8, pp. In the story, it was "a Vulcan term referring to the duality of things: two who are one, two diversities that are a unity, two halves that come together to make a whole" (from Leonard Nimoy's introduction to the short story, which did not credit Ms. Jones as the originator of the term). Although it had been established in 'Amok Time' that most of the planet was desert, I wanted to depict other aspects of Vulcan." (Cinefantastique, Vol. Either the look wasn't right, or it was too far out of town or whatever. Vulcan, the primary of the Vulcan system, was located in the Alpha Quadrant on a star chart seen in the Star Trek: Discovery episode "Magic to Make the Sanest Man Go Mad". ("Re-Directing The Future", Star Trek: The Motion Picture (The Director's Edition) special features), An initial story outline for Star Trek III featured the Enterprise paying an early visit to Vulcan, prior to heading to Earth. ("The Forge" text commentary, ENT Season 4 DVD and Blu-ray), While writing "The Forge", Judith and Garfield Reeves-Stevens imagined there had been a nuclear war on Vulcan about two thousand years beforehand. 244 & 245), Leonard Nimoy (writing from Spock's perspective) reported, "There lies on Vulcan a stretch of flat, barren desert known as the 'plain of thought,' which has come to symbolize ultimate accomplishment. Shadow turns around and when he turns back, the noose is gone. ↑ Although Spock tells Uhura that "Vulcan has no moon" in TOS: "The Man Trap" – a phrase that is repeated exactly in the script of the 1973 episode "Yesteryear" – a moon-like body was portrayed in close orbit of Vulcan in "Yesteryear". Bryan Fuller mentionned on his Twitter that the town of Vulcan was visually inspired by the art of Edward Hopper. Vulcan High CommandCoalition of Planets (c. late 2150s to 2161)United Federation of Planets (2161–c. Vulcan finishes his speech and the crowd shoots their guns and rifles up into the air, causing Shadow to flinch. Vulcan's powers feed indirectly from the numerous deaths caused by the firearms he produces, each bullet a "prayer" in his name. (Star Trek Magazine issue 125, p. 81) In fact, the episode's depiction of Vulcan was of such a scale that later productions, even the Star Trek films and spin-off television series with their higher budgets, had difficulty measuring up to it, using location filming and matte paintings. (audio commentary, Star Trek: The Motion Picture (The Director's Edition)) Regarding the Vulcan scenery as depicted in the pair of newly created shots, Sherry Hitch remarked, "It's awesome." (DIS: "That Hope Is You, Part 2"), In the mirror universe, Vulcan was conquered by the Terran Empire between 2063 and 2155. (VOY: "Hunters", "Riddles", "Ashes to Ashes"; ENT: "The Forge"; TNG: "Gambit, Part II"), Vulcan had several wilderness preserves. Prior to Gene Roddenberry's 1991 announcement that the planet Vulcan was in 40 Eridani, the suggestion was proposed in not only 1980's Star Trek Maps but also in 1968's Star Trek 2, by James Blish. Although that episode does include mention of the planet, it isn't cited by name on that occasion (with Elizabeth Dehner instead referring to it simply as "your planet" in conversation with Spock). Vulcan Munitions [4]. (text commentary, Star Trek III: The Search for Spock (Special Edition) DVD) Sherry Hitch, from Foundation Imaging, commented, "We blended a lot of elements, Dave [Morton] and I. After the Great Fire of Rome, in 64 AD, seen as a manifestation of Vulcan’s wrath, the emperor Domitian ordered that red bull-claves and red boars had to be added to the list of Vulcanalia sacrifices. In a letter printed in Sky and Telescope magazine in July 1991, Roddenberry wrote, "Based on the history of life on Earth, life on any planet around Epsilon Eridani would not have had time to evolve beyond the level of bacteria. Ni'Var, formerly Vulcan, was an inhabited M-class planet in the Vulcan system, a system located in Sector 001 of the Alpha Quadrant. (ENT: "Home"; TNG: "Gambit, Part II", remastered), Other points of interest include religious sites such as the Temple of Amonak, the Temple of T'Panit, and the T'Karath Sanctuary. Writer Howard Weinstein, who was visiting the set when these live-action components were in place, later remembered, "I half-kiddingly contemplated scooping up some red dirt and taking it home to package and sell at conventions as 'Real Vulcan Sand.'" They come across the funeral parade where the rest of the townspeople are marching behind Vulcan. (Star Trek Monthly issue 86, p. 53) Despite some fan speculation that the change to Vulcan's sky was made so that the film would fit the reference in "The Man Trap", this was not the case, according to Michael Matessino (who served as restoration supervisor for the director's cut). ", Theodore Sturgeon's approach to representing Vulcan inspired Matt Jefferies to contribute such embellishments as patches of glistening sand on the ground. Star Trek: Star Charts (pp. Even though Gene Roddenberry and D.C. Fontana noted "NO MOON!" I had a friend sketch the idea that this arena of rock had two natural stone bridges that connected it to mountain chains on each side." (Cinefantastique, Vol. And there were always problems. No background of Vulcan, no definition, just a red curtain," he remarked. "They put some smoke and lighting and we got a mood piece out of it," said Lay. 2, p. 44) classified Vulcan as a Minshara-class planet. The Star Trek Encyclopedia (4th ed., vol. (Cinefex, No. The latter source describes the planet as relatively large. ", Denise Okuda found orbital views of Vulcan in the trilogy were "so great" and "spectacular," an opinion Judith Reeves-Stevens agreed with. Both The Worlds of the Federation (p. 18) and Star Trek Maps (p. 26) characterize Vulcan as having "several large port cities," with the former stating that eighty-six percent of the planet's surface is landmass. (The Star Trek Compendium, 3rd ed., p. 88) Indeed, the planet's surface was originally intended to make a reappearance in that second installment, D.C. Fontana's "Journey to Babel"; for the first time, a city on the planet was planned to be shown. The Ring-Slingers. He is also the mascot of the California University of Pennsylvania, and a statue of him was erected in Birmingham, Alabama. Occupation (Cinefex, No. ("Re-Directing The Future", Star Trek: The Motion Picture (The Director's Edition) special features). He aims and shoots at a mounted deer head. (Star Trek: The Magazine Volume 1, Issue 2, p. 84), One of the original views of Vulcan from orbit, Although the first appearance of Vulcan in "Amok Time" is a view of the planet as seen from orbit, the planet is excluded from the equivalent version of the scene in the episode's revised final draft script, which instead details two consecutive flybys of the Enterprise alone. Vulcan was a Roman God of fire, forge, metalworking, and volcanoes. "It's not reality per se, because the situation is so fantastic, and the layout of the place is almost dreamlike. They intended for the surface of Vulcan to be shown as featuring fields of green glass, left over from nuclear explosions detonated during the war. (audio commentary, Star Trek: The Motion Picture (The Director's Edition)) In this way, the revised matte paintings were designed to more closely resemble the planet's surface as depicted in Star Trek III: The Search for Spock. 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